Photography Basics

This section of my blog contains a comprehensive resource for taking better pictures.

Photographic Vision

Developing Photographic Vision Photographic vision: Shoot a wide variety of techniques. You will become exposed to many visual ideas and experience. This then can be merged into a vision. Keep shooting using different techniques, different subjects, break the rules, and worry less about what others think about your photos. Shoot for yourself. If you are excited by what you are doing, you are on the right path to personal vision.
Showing posts with label tips. Show all posts
Showing posts with label tips. Show all posts

Monday, April 20, 2009

Where is your camera?



If you aren't taking your camera with you everywhere you go, then you are most certainly missing out on great photo opportunities. Why not take it and use it everywhere? The key, by the way, is to use the camera -- not just take it with you. Bring it with you and use it so often that the camera becomes an extension of you.
Soon it will feel strange when you are without your beloved sidekick.


Do you ever think you're running out of picture ideas? When you always have your camera by your side, ideas are all around. Driving by the fire or police station? Why not stop in and take a few pictures? Are you taking the kids to the carnival this year? How about the park? A camera is a "must have" in these situations. Have you taken your camera to the office yet? Co-workers might just make good models. Need something to keep you occupied at the Laundromat? How about when you get your oil changed?


Don't forget to take along a few model releases in case your mechanic doesn't have one of his own.



Always remember that the right time to take that great picture is now. If you wait until later, the lighting will surely be different and waiting until tomorrow easily turns into never.


The moral of the story is this: if you see a great subject, take the picture then. A few minutes out of your busy schedule won't matter much in the long run and the rewards of the perfect image will last forever.

Sunday, September 30, 2007

White Balance

White Balance is the process of measuring the light source's color temperature based on lighting conditions.


If your camera’s white balance is set incorrectly, you will see a color cast on your image: it will look slightly blue, slightly orange, or slightly green. A low color temperature shifts light toward the red; a high color temperature shifts light toward the blue. Different light sources emit light at different color temperatures, and thus the color cast.


Color temperature is effectively the warmth that is emitted from a light source, and the effect that temperature has on the intensity of any particular color in the visible spectrum. For example, a 200 W bulb has more intensity in the orange/red end, and shows purples and blues with very little intensity. This makes your photo appear “warm”. Daylight has equivalent intensity across the whole spectrum, so you see purples and blues with the same intensity as oranges and reds. But shade or a heavily overcast sky has more intensity in the blue/purple end, so your oranges and reds will have very little intensity. This makes your photo appear “cool”.

Some examples of color temperatures:

1500 K: candle light

2800 K: 60 W bulb

3200 K: sunrise and sunset (will be affected by smog)

3400 K: tungsten lamp (ordinary household bulb)

4000-5000 K: cool white fluorescent bulbs

5200 K: bright midday sun

5600 K: electronic photo flash.

6500 K: heavily overcast sky

10000-15000 K: deep blue clear sky

Newer light sources, such as fluorescent and other artificial lighting, require further white balance adjustments since they can make your photos appear either green or magenta.



Your camera searches for a reference point in your scene that represents white. It will then calculate all the other colors based on this white point and the known color spectrum. Remember, white balance is the automatic adjustment that makes sure the white color we see will also appear white in the image.

Setting your camera’s white balance to AWB will provide color accuracy under many conditions. Your camera will adjust the white balance between 4000K – 7000K using a best guess algorithm. Auto white balance is a good choice for situations where the light changes over time and speed is an issue.

You should avoid using auto white balance settings in the following situations:

1) The scene is heavily dominated by one color

2) Colour accuracy is absolutely imperative

3) You are photographing particularly warm or cool scenes

White Balance Presets

Most digital cameras come with multiple white balance preset options.

Tungsten - The color temperature of this setting is fixed at 3,000K.
Best Use: indoors at night. Otherwise, your exposure will turn out too blue.
Creative Use: Set your exposure compensation to -1 or -2 and use this setting in daylight to simulate night.

Fluorescent - The color temperature of this setting is fixed at 4,200K.
Best use: Fluorescent, mercury, HMI and metal halide lights used in your garage, sports stadiums and parking lots. Otherwise, your exposure will turn out too purple.

Daylight - The color temperature of this setting is fixed at 5,200K.
Best use: studio strobe lights. Otherwise, your exposure may have a slight bluish tinge.

Cloudy - The color temperature of this setting is fixed at 6,000K. Best use: direct sunlight and overcast light. This setting will warm your photo by giving it an orange tinge, which is often desirable in landscapes and portraits.
Creative Use: sunsets.

Shade - The color temperature of this setting ranges from 7,000K - 8,000K.
Best use: shooting in shade, no direct sunlight (cloudy), backlit subjects. Otherwise, your exposure will turn out too orange.
Creative Use: direct sunlight – it will warm up your photos even more!

Flash - The color temperature of this setting is fixed at 5,400K. This is almost identical to Cloudy but sometimes redder depending on the camera.
Best use: overcast skies. Otherwise, your exposure will turn out too red.

Tuesday, March 06, 2007

Composition tips

1. Emphasize through placement: slightly off center.
2. Emphasize through relative size: fill frame
3. Emphasize through framing: sense of depth and perception, guides viewers eye
4. Emphasize through selective lighting
5. Emphasize through selective focus
6. Emphasize with converging lines: low camera angle or wide angle
7. Emphasize through repetition: lines, curves, circles, triangles, and squares.
8. Emphasize through motion
9. Emphasize foreground object with wide angle, move in close
a. Vertical: foreground on the bottom
b. Horizontal: object to one side
10. Use a large dominate foreground subject with a with complimentary background.
11. Use a smaller foreground element leading to a larger background element
12. Compose in a way to create diagonal or direct lines from on to another.
13. Shoot horizontal and vertical.
14. Use backgrounds as subjects
15. Concentrate on a single subject; try to isolate it against a plain background.
16. Use contrasts:
a. Light and dark
b. Color and monochrome
c. Contrasting colors
d. Large and small
e. Texture and smooth
f. Warm and cool colors
17. Find center of interest.
18. Keep backgrounds simple
19. Follow the rule of thirds
20. Do not put horizon in dead center of frame
21. Use lines of direction to lead eye into the frame: diagonal, ‘S’ curves.
22. Vary POV
23. Radical balance: feeling of directional movement